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The study of free and grass script in Dunhuang posthumous writing is of great importance to the history of Dunhuang calligraphy and the study of Dunhuang.
敦煌遗书中行草书法的研究，对中国书法史和敦煌学的研究都具有重大的、积极的意义。
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Sho, like its Chinese predecessor caoshu (literally, grass script), is far more fluid and interpretive than formal script in either language, offering the writer greater freedom and creativity.
WSJ: The Vision and Calligraphy of Aoyama San'u | Tokyo National Museum | Transformational Characters | By Michael Judge
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